Plays & Performances, Writing

Unknown

Unknown…compresses several important themes and compelling characters into a forceful whole that informs, inspires, and, for every answer it offers, proposes a new question. It fulfills the purpose of good drama.” –Arthur Durman

Why

How is it that we come to know someone? Particularly someone we’ve never met in person, or only interacted with occasionally and in a certain setting. Think of that strange feeling you may have had as a child when you saw one of your teachers out in the world doing normal un-teacherly things. In this play I’m asking questions about how we come to know a person as something more than the role they play in our lives or the definition we have in our heads for them.

* To learn about the documentary film that grew out of the process of sharing this play, please visit the project website.

What

Characters: 7 female (6 actors with doubling)
Running Time: 100 minutes
Summary: Nobody knows Sydney Anders. Nobody living anyway. Well, maybe one or two people, but they don’t know her well at all. So nobody paid much attention when the boxes came in to the Archives—seven to be exact, six full of personal journals, and one full of cassette tapes.

But Sophie was there when the boxes came in. Sophie just turned 30 a couple of months ago and has been volunteering at the Archives for almost two years now. And Thea was also there. Thea is 15 and has been spending a lot of time at the Archives lately.

Unknown follows Thea and Sophie, and a handful of characters who interact with them, as they flip through the pages of Sydney’s life, discovering her story as they go about their business in a very idiosyncratic archive related to the lives of lesbians.

Inspired by the 40-year-old Lesbian Herstory Archives in Brooklyn, NY, Unknown, offers a portrait of a small community of lesbians that spans four generations, and it asks how we come to know a person as something more than the role they play in our lives or the labels society applies to them.

• This project was begun while I was in residence at the Millay Colony.

When & Where

Availability: Available for production and readings.
Production History:
• World Premiere Production, directed by Mariah Larkin, produced by 20% Theatre Company Twin Cities, Minneapolis, MN, 18-27, 2019
• National Reading Tour, August 2014 as part of The Unknown Play Project
• Reading, WOW Cafe Theater, New York, NY, 30 May 2014
• Reading, Lesbian Herstory Archives, Brooklyn, NY, 11 May 2012
Publication:
• Published by Private Commission in 2014, you can purchase copies online from a variety of retailers.
• (3-page excerpt) EDNA: A Journal of the Millay Colony of the Arts, 2013 (Vol 4), p. 21-24. (Available for free online.)

By Alexis

Alexis Clements is a writer and filmmaker based in Brooklyn, NY. Her creative work has been published, produced, and screened in venues across the US, Europe, and South America. Her feature-length documentary film, All We’ve Got, premiered in the fall of 2019 in New York City and has since screened around the US and internationally. Her play Unknown also premiered in October 2019 in Minneapolis, Minnesota. Other plays of hers have been produced, published, and anthologized across the US and the UK over the past two decades. Her prose writing has appeared in The Los Angeles Review of Books, The Guardian, Bitch Magazine, American Theatre, The Brooklyn Rail, and Nature, among others, and she is a regular contributor to Hyperallergic. In addition to her writing and filmmaking, she is currently serving on the Executive Board of CLAGS, the Center for LGBTQ Studies at the City University of New York (CUNY), as a Coordinator at the Lesbian Herstory Archives, and a co-founder of Little Rainbows, a queer story time for children and their caretakers.

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