Thoughts

Taking a Moment

Into the Flats

“The waiting that one actually does now—in traffic jams or airport lines—acts to intensify resent­ment and competitiveness with those nearby. One of the superficial but piercing truisms about class society is that the rich never have to wait, and this feeds the desire to emulate wherever possible this particular privilege of the elite. The problem of waiting is tied to the larger issue of the incompatibility of 24/7 capitalism with any social behaviors that have a rhythmic pattern of action and pause. This would include any social exchange involving sharing, reciprocity, or cooperation.”
—Jonathan Crary, 24/7: Late Capitalism and the Ends of Sleep

The above photo was taken at the Bonneville Salt Flats while I was traveling in order to capture footage for the Unknown Play Project. What you are seeing is a car driving across a vast expanse of shallow water, headed toward the drier areas where the famous races take place at Bonneville. Great conflagrations of people hurtling into a vast and seemingly barren expanse.

Rhythm, pauses, the vibrations of the road beneath us, hurtling forward into our own expanse. Traveling light. I still haven’t figured out a terse way to describe my feelings or reflections on the trip, and I’m enjoying the fact that I don’t have to.

By Alexis

Alexis Clements is a writer and filmmaker based in Brooklyn, NY. Her creative work has been published, produced, and screened in venues across the US, Europe, and South America. Her feature-length documentary film, All We’ve Got, premiered in the fall of 2019 in New York City and has since screened around the US and internationally. Her play Unknown also premiered in October 2019 in Minneapolis, Minnesota. Other plays of hers have been produced, published, and anthologized across the US and the UK over the past two decades. Her prose writing has appeared in The Los Angeles Review of Books, The Guardian, Bitch Magazine, American Theatre, The Brooklyn Rail, and Nature, among others, and she is a regular contributor to Hyperallergic. In addition to her writing and filmmaking, she is currently serving on the Executive Board of CLAGS, the Center for LGBTQ Studies at the City University of New York (CUNY), as a Coordinator at the Lesbian Herstory Archives, and a co-founder of Little Rainbows, a queer story time for children and their caretakers.

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